Digital Age

Fighting for our right to inquiry, creativity and dissent


I don't care how much of star journalist is Scott Hansell (whom I've met before when he has covered Net Art events here in New York City). Scott ought to know better than to publish something like this :

The A.P.’s effort to impose some guidelines on the free-wheeling blogosphere, where extensive quoting and even copying of entire news articles is common, may offer a prominent definition of the important but vague doctrine of “fair use,” which holds that copyright owners cannot ban others from using small bits of their works under some circumstances. For example, a book reviewer is allowed to quote passages from the work without permission from the publisher.

I think this is part of the reason why he never seemed to get Net Art : He really doesn't understand that quoting, re-mixing and mashups are intrinsic to the vernacular of the digital age. That quoting is an essential part of showing "the real deal", of presenting things unadulterated and unfiltered so that when a blogger or an net.artist creates their own interpretation of that source, it allows for the readers, commenter and art audience to parse the quote from the interpretation and, in their own way, to render their judgement and interpretation.

Having a piece of the original is absolutely imperative in the age of reproduction. In the blogosphere for some, quoting is the version of a courtroom's witness box. Nobody was better at that than Steve Gilliard. Steve would present, if possible, the entire article before proceeding to fisk the writer's thesis and shred their logic to pieces. Yet the quote and link back to the source without alteration allowed for Steve's readers to have access the source's words right there and at that moment, giving them the opportunity to render as fair a judgement as possible.

The other way of quoting is more akin to cooking.


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"There has never been a just one, never an honorable one - on the part of the instigator of the war. I can see a million years ahead, and this rule will never change in so many as half a dozen instances. The loud little handful - as usual - will shout for the war. The pulpit will - warily and cautiously - object - at first; the great, big, dull bulk of the nation will rub its sleepy eyes and try to make out why there should be a war, and will say, earnestly and indignantly, "It is unjust and dishonorable, and here is no necessity for it."

Then the handful will shout louder.

A few fair men on the other side will argue and reason against the war with speech and pen, and at first will have a hearing and be applauded; but it will not last long; those others will outshout them, and presently the anti-war audiences will thin out and lose popularity. Before long you willsee this curious thing: the speakers stoned from the platform, and free speech strangled by hordes of furious men who in their secret hearts are still at one with those stoned speakers - as earlier - but do not dare to say so.

And now the whole nation - pulpit and all - will take up the war-cry, and shout itself hoarse, and mob any honest man who ventures to open his mouth; and presently such mouths will cease to open. Next the statesmen will invent cheap lies, putting the blame upon the nation that is attacked, and every man will be glad of those conscience-soothing falsities, and will diligently study them, and refuse to examine any refutations of them; and thus he will by and by convince himself that the war is just, and will thank God for the better sleep he enjoys after this process of grotesque self-deception."


— Mark Twain, Heroic American Writer
The Mysterious Stranger :
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