Oppression Olympics

POP QUIZ : What is wrong with Marie Cocco's "Misogyny I Won't Miss"?

"Bitch Is The New Black" squealed Tina Fey on SNL and this black feminist didn't find it at all funny. Actually, I thought the squeal had a tinge to white supremacy in it.

So now we have Marie Cocco at the Washington Post saying this :

Most of all, I will not miss the silence.

I will not miss the deafening, depressing silence of Democratic National Committee Chairman Howard Dean or other leading Democrats, who to my knowledge (with the exception of Sen. Barbara Mikulski of Maryland) haven't publicly uttered a word of outrage at the unrelenting, sex-based hate that has been hurled at a former first lady and two-term senator from New York. Among those holding their tongues are hundreds of Democrats for whom Clinton has campaigned and raised millions of dollars. Don Imus endured more public ire from the political class when he insulted the Rutgers University women's basketball team.

Would the silence prevail if Obama's likeness were put on a tap-dancing doll that was sold at airports? Would the media figures who dole out precious face time to these politicians be such pals if they'd compared Obama with a character in a blaxploitation film? And how would crude references to Obama's sex organs play?


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Wars are the clock ticking off the time of Israeli history: World War I; the "riots" of 1929 and 1936; World War II; the War of Independence, 1948; the Sinai Campaign, 1956; the Six Day War, 1967; the War of Attrition, 1969-1971; the Yom Kippur War, 1973; the Labanon War, 1982; the Gulf War, 1991. Not all these conflicts were equally significant in their cultural impact, and surely not in the same way, but together they create a ghastly rhythm in which every calm period is seen in Israel as a pause before future violence.

[Editor's Note: I would say this explains a great deal about Israel...and I would add that a similar statement could be made about Palestine]


— Ariel Hirschfeld, in his chapter in Cultures of the Jews, edited by David Biale


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