Writing

A little writing experiment

I am getting that seasonal antsy feeling. I need to shake things around with my writing and bring more variety. About a month ago I suggested to my peeps David and Michael that I'd love to give each day of the week a theme. I don't necessarily need other contributors to enter the fray --am down with everybody posting whatever they are good at. Yet I am finding that I personally need more structure in order to introduce more variety ... and I hope that makes sense.

Anyhow, here's what I will be experimenting with during the next few weeks :

  • Market Monday : Anything and everything having to with economics, finances, sales, marketing... I'll even sneak in some product development if need be.
  • Tech Tuesday : All tech all day. I have been trying to get more technology writing in the blog, and this is going to be the day I do that.
  • Feature Wednesday : Anything exciting or worthy of a change of our banner will be featured every Wednesday. It's time to bring Barack's mug off the blog and that's going to happen this Wednesday.
  • Thirsty Thursday Yes. Booze, coffee, tea, juices, and the food to go with these libations. Anything liquid in bounty or in crisis as in "The Worldwide Water Crisis". I've found out through my blogging for Kenneth Cole there's a HUGE water crisis all around the world and that most of it is not related to global warming but to natural resource poaching by big corporations like Coca-Cola. I am definitely using Thursdays to focus on the water wars happening around the world.

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culturekitchen's "The Year In Keywords"

Well, our internal statistics for 2007 are finally tallied and we have some interesting data and insights about our work.

Most people who stumble upon our site are not looking for articles on politics. It seems like most are trolling for a sexual thrill --or so it seems by the keywords and phrases people have used to stumble upon our site.

I used to think it was funny but after years of looking at the site's stats and knowing that we don't write pornography, all I can think of is that the search engines definition of "optimization" is what we would call in the real world (and if we were talking about real people), plain and simple prejudice.

Search engines (and I am mostly referring here to Google), have decided that this site deals with a certain kind of material and thusly pushes our content up the top of pages that they have decided to have our site ranked in "with prejudice". Meaning that, the better our ranking in a search page, the more prejudiced or biased the search bot learns to be towards our site.

I am not one to believe that software, especially software that presumes to mimick human thought processes (but only faster) are above malice. After all, code and the software that is created with it is the product of the human mind. It is just another form of expression, another language.

Searchbots are meant to find pages relevant to the strings of text "fed" to them by web surfers. At no point are they meant to make sense of the search string based on the context of a site.

I could go on forever on this one and will eventually.

In the end, what I find incredibly interesting about these search strings is that, especially when there are several strings "tied for the same ranking", when read together, they sound like really bad emo poems.

The top 10 rankings for search keywords and/or phrases


liza's picture

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Almost Home

Mi silla en el alambiqueMi silla en El Alambique, Isla Verde (Puerto Rico)

after i come back home from going home, i get this melancholy limbo of a feeling : that i have left a home behind in search of a home that is not there and yet is familiar and welcoming and soothing and incomplete for the lost years and the lost house because i have no real place to be home but the few couches and extra beds to crash on my families places and even my mother's house is this foreign, mold controlled zone in which my lungs collapse, my heart stops with the toxic molds that makes me feel unwelcomed and pushes me into the asceptic living of hotels with their climate controlled hells drowing the sound of coquis and the rustling of platain and palm trees in the middle of the night and making my body remember how to go to sleep.

after i come back home from going home, the place i come back to is so familiar and yet so removed missing the little bit of heart and soul and pain and laughter i left back in spanish with its ay benditos and ave marias and its tu sabes and its bochincheo with arroz con gandules and alcapurrias and habichuelas and sancocho de medio día and el cafecito para empatar.


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Ebbs and Flows

The First CK banner image
The First CK banner image

Lorraine is gone for the summer and I am going to miss her terribly during this hiatus; even though I am also excited that she's on such a creative high that needs to be taken care of NOW. It's the kind of rushes a lot of us creatives get in fits and spurts --and it makes us jelous when others find the key to turning it into a test of endurance. I'd love to have one of those long distance writing moments over my kabillion writing sprints, anytime.

Yet, Lorraine's hiatus got me thinking again of how long I have been at this thing here called culturekitchen.

I went through my records and found out that I got the domain back on December 21st of 2000. Once I put a little page up with the name while I contended with breastfeeding and terrible twos tantrums.

Sometime in the Spring of 2001 I already had put some stuff up --I was working on a couple of website projects at the time and so did it during ebbs of my consulting flow. This, by the way, while I also accepted a job as a technical writer --and yes, I was still breastfeeding.

2001 proved to be a banner year for us here in more ways than one. I quite my job because the cost of going back to work in hard money was far greater than my staying at home with the kids. My body also had not healed from the multiple injuries and ruptures I suffered while giving birth to my little one.

2000 had proven good to us in terms of art funding. Napier had gotten funding from Creative Capital as well as grants from the Jerome Foundation, NYFA, NYSCA, and other sources as well as privite collectors comissions --not the least in part to the great advice we got from Kathy Brew, the woman who used her position at the Lower Manhattan Culture Council to bring digital and netart to the attention of the New York art scene.

Then the world changed on September 11, 2001.


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Summer Hiatus

Trying to climb back into my body since Yves' death has been difficult. The last act that Yves engaged in before dying was performing cunnilingus on me, and he went to sleep with my juices in his mouth, on his tongue. His head hurt, and he was so tired -- too tired to have an orgasm, he said, but he asked if I would allow him to sleep for a couple of hours and then he would "make it up to me."

There was nothing to make up. He had already brought the promise of such bliss into my life. It wasn't just the sex. It was the connection. It was the way our bodies spooned together. It was the way our hands curled together across the dinner table, how we already instinctively knew how to make each other laugh, how funny he thought my French accent was. I didn't speak French like a Quebecoise, he told me. I spoke it like a Parisian. And we talked at dinner about the different words. He was wearing a black v-necked sweater over his tee-shirt, and he explained to me that there was a different word for that in Quebecois. It wasn't a pull; it was something else. But I can't remember the word he said.



At one point, he went outside the restaurant to have a smoke. I watched him, smoking, from my seat at the window table. It was chilly outside. Not frigid, probably somewhere close to freezing, but it was early November and there was no wind. He stood outside, I remember, one hand in the pocket of his jeans, the other holding his cigarette. He was watching the people going by him, and every now and then, he would turn and look at me watching him. We would both smile.

Anyway. Sex after Yves has not been the same for me. How could it be? It's funny that the black humour started up almost immediately. Within a day, my friends and I were making jokes about my ability to kill men by going out with them, how I'd have to warn all future dates about my abilities. And, one friend made the inevitable, obvious remark that had actually been so obvious I hadn't thought of it myself. "Wow," she said. "You really fucked his brains out."

Ouch.

It wasn't as if I thought that any man who touched me after Yves died was going to suffer his fate. I knew well enough that while lightning could strike the same place twice, I could be reasonably sure that it wasn't going to. It was more the sense of how can I imbue this act, this sexual act that means so much to me, with any kind of meaning now? When it has become the last thing that someone did, this sex, this mingling of bodies, of fluids? Jesus. There's always been a part of me that has tried to make sex something sacred. Not with everybody, of course. Sometimes, a fuck is just a fuck. But there have been times in my life when I have tried to bring myself closer to awe, to the whole, through sex. I don't mean finding my whole self. I am a whole self. I don't need to be completed by another person. I mean the whole as in that sense that there is something larger than oneself. That my body is this tiny, insignificant speck on a tiny planet in a vast universe. Hiking in the woods gets me to that place. So does sex. Some sex.

So, I had fucked other men after Yves died. But each time, it didn't really feel as if I was all there. Each time, I thought about him, and silently compared what was going on in that bed with what had gone on in his.

I don't feel as if I'm supposed to remain chaste. I did want to be Miss Havisham … for about five minutes. But I'm too much of the earth to let myself get stuck in a world without physical contact.

Instinctively, I knew what I was going to need to put me back into the center of my body. I needed to be with someone with whom I had a history, even if the story was more Grimm than Mother Goose. I chose a man about whom I had once written in my journal: "His loyalty lasts only as long as his refractory periods." But I had also written in the month after Yves died that "the urge to fuck is urgent. I am hungry, restless. I need to be pinned down, fucked while I scream and cry. I need the catharsis. I want rough sex. I want to be spanked. I need to be put back into my body, to be reconnected to the carnal, the breathing, the living. I am living with a ghost. I love that ghost and I don't want to give him up, but he cannot touch me. I miss him so much." Short, choppy, childlike sentences that demanded something of the world that seemed unattainable. As it turned out, the one person who I knew was capable of giving me what I sought played Hamlet, until, sick to death of the hesitation on his part, I told him to go fuck himself.

Winter of 2006 got off to a slow start. Many times, snow has fallen in November-sometimes even before Halloween-but November and December were mild. Grey. Bare trees, yellow grass, dull skies; I moved through a monochromatic world with a face contorted with grief palsy. I rarely cried. Instead, my face just felt set in a default position of "not:" Not happy. Not interested. Not here.

I scribbled notes. Months later, I keep finding them. Some are in my journal. Some are on my desktop computer at work. Some are on my laptop. Some are on pads of paper. It's bizarre, because there are some notes that I don't remember writing down. Clearly, I was functioning. I continued to teach, and care for my children, and perform the quotidian tasks that define us as social beings. But part of my brain had obviously checked out. Reading the little notes I find is like finding postcards from the dead. Here's something I wrote sometime in late November:

I feel as if I've dropped a box of marbles on a hardwood floor. They're rolling everywhere. They are my memories of Yves. I'm afraid I won't be able to gather them all up, that some will never be found again. Maybe years later, when someone is renovating the house, they'll find a single cat's eye underneath a floorboard and someone will wonder at its significance.

I remembered something today. There's a bag in my closet that I haven't opened in over five months. It's a silver-colored, heavy plastic bag, the kind of bag that you get from a clothing store. It was apparently a bag that Yves' mother had in her laundry room, or had been picked up off Yves' floor. Inside the bag are three items of clothing. When we went out to dinner that night, I was wearing black boots, black slacks, a red lycra camisole, a black cardigan, and pink silky panties.

At his apartment, he quickly stripped me down to my camisole and panties, and he laid me down on the bed. I was not passive; we were kissing, I remember, kissing and crab-walking together back through the hallway and around the corner and into his bedroom and then he lifted me up onto his bed. His bed was not up on a platform supported by legs, rather, the platform was suspended among four chains that were attached to intricately carved plates in the ceiling. He had told me that he had designed the bed, and it kind of felt like sleeping like that rock-a-bye baby in her treetop cradle.

Once I was on the bed, however, Yves managed to pull my clothes off, save my camisole and panties, and there I lay, reclining on my elbows as I observed him stripping off his pants and socks and sweater. He was in a teeshirt and jockey briefs, and he lay down beside me, kissed my face, my neck, my collar bone, his fingers tracing my skin. He shimmied his fingers underneath the legband of my panties, and I remember that I laughed because there was no mistaking how much I wanted him.

I have pulled the panties, the camisole, and the tee-shirt out of the bag. I bury my nose in them, and I can smell him in the clothes. I can smell just the tiniest hint of the perfume I wore that night, and I can smell the tobacco, and then, there's something else. It's not laundry soap, because that's there, too. And it's not death, because he was naked when he died. I bring the tee-shirt up to my face and I breathe in hard. A blow lands on my solar plexus, and for just an instant, I think that I can't breathe.

Migraine pain carves through my right cheekbone, my right eye. I see a picture of the Soviet flag, and I wonder what the association is. And then I remember: migraine is like "hammer and sickle" pain.

I fold up the tee-shirt, and shove the panties and camisole down into the bag, roll it up tightly, put it back in the closet.

A note. This is probably (I never say never) the last essay you'll see from me for a while. I have decided that this book, which is burning a hole through me and is forcing me to write and write and write, will be born this summer. I am in transitional labor, and all I can do is hold on and wait for the moment that I get to push.

I don't know if I should post this. It is SO private, and yet, this is the story that I have to tell.

So, this is TTFN, not GBCW. I'll see y'all later.

Much, much love. Lorraine


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Ashes on My Fingers

When I lay in bed, I clutch a large teddy to myself. It's an infantile reaction to my loss, but it helps. When I lie in that position, on my side, my legs pulled up in a semi-fetal position, I can almost feel Yves tucked up against me. When we were laying in bed, that night, that only night that we were together, he wrapped himself around me, his chest against my back, and he said, "I think this was the most perfect sleeping position ever invented. Because it allows me to kiss the back of your neck like this." And then he sent shivers down my spine as his lips brushed underneath my ear. He didn't stop there. He kissed the place where my neck met my shoulder, and then trailed his lips, in tiny increments that thrilled me not only with the sensation of the kiss but with the anticipation of the next, he moved his lips all the way down to the small of my back, and then turned me toward him so that he could kiss my belly. "I love this belly," he said.

I don't often find men with whom I'm sexually compatible. Of course, I find men who are perfectly content to fuck me, or be fucked, but, magazine bravado to the contrary, I don't often find men for whom sex is a passion. Certain men touch you as if they are you; so closely have they familiarized themselves with the female body that it's as if they've become female themselves. And no, the men who claim that they are lesbians are not the ones I'm talking about either. I'm fascinated by the inherent insecurity and shallowness I've encountered in men who consider themselves to be modern-day Casanovas. And there are other men who are so intimidated by women's bodies that they they never fully give themselves over to love-making. In fact, I've been told by more than one of those types of men that I'm too much woman, that I'm too voracious, or have too much of a sexual appetite for them. So, finding a man who has a passion for sex but is not a "dog" and who is secure giving himself completely over to the experience of making a woman happy is a rare, and wondrous, thing. Another thing to be pissed at the universe about.


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Miss Havisham

I was afraid, in those first few days after Yves died, that I would turn into Miss Havisham. I didn't want to shower, or change my clothes. If I sat and pulled my knees up close, put my face down on my chest, made a tent out of my sweater, I could smell him. He was still there on my flesh, the places he had touched and licked and sucked. The skin he had told me was so touchable, so soft. The skin he had stroked in play, but also in wonder, in awe, that this thing was happening to us. And so, I buried my nose under my cardigan and breathed in deep.

When I finally did take a shower, I wept. I wept that I was washing off whatever remained of him. I wept as the sponge passed over the parts of my body where his mouth and fingers and cock had been. I wept that the previous shower had been a deux, the two of us playing grownup games.

I stayed in the shower for a long time. I needed its warmth to penetrate what had become numb. My interactions with the world that weekend were carried out behind a curtain of gauze. People hugged me, but I did not want to be touched. I couldn't feel anything except that theirs were not the bodies of my lover. It was raining that weekend, but the air had the stifled, semi-opaque feel of summer; it clogged my sinuses, clouded my eyes.

I was so afraid that weekend that I would forget. I wanted to hold on to every little word he had said to me, every phrase, everything that had made me laugh, or shiver in delight of what was to come. Truthfully? I wanted to become Miss Havisham. I wanted to be 80-years old and able to remember every last detail of those few hours I had had with him. I wanted to wear those clothes until they were rags, wanted to be able to tell the story over and over again to a generation not yet born, of what it was like when he touched me. How it felt when his tongue was in my mouth, or the laughter at the restaurant that night, how when I got up to use the restroom at the restaurant, I could feel his eyes caressing me as I walked away from him.


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Teardrop on the Fire

A number of people have written to me to ask me how I'm doing, what I'm doing, and why I'm so silent. I'm writing. I'm publishing a small piece of what I'm working on. Just to let you all know that I haven't crawled into a cave and died. Life is good. Honest. And while there is a whole clusterfuck of mess out there, right now, I'm still in my solipsistic universe. It's where I need to be for a while.

Teardrop on the Fire. The night before I met Yves, we talked on the phone. He told me that he was listening to a lot of 80's music—that that was his mood. He would tell me later that he had been so nervous about meeting me that he had just wanted to get lost in old, familiar music. I remember that in the background, I could hear something playing, but I don't remember what it was. I just remember hearing the underlying excitement in his voice. That excitement has always manifested itself for me as anxiety—near panic—and there have been times that being so energized about meeting someone has sent me into a panic attack. So I understood his mood. I wasn't put off by it, or scared. I just knew that he and I shared one more thing.

Later, after the events had transpired, I would find the playlist of what he had listened to that night. He was the Web master for the housing cooperative he was a part of, and he maintained a site that contained news about the co-op, and playlists of music that the group's members could stream. Those playlists would remain on the page until he posted whatever new songs had appealed to him. He always entitled his playlists "Playing while we hack." If you happened to check the page while he wasn't there, you'd find the old list, but where a new list should be, it would simply say, "Nothing… Our desktop's speakers are silent." Since the day of November 11, 2006, those words have become permanent on the site. They feel etched onto the monitor of my computer. The list of songs he was listening to the night before he met me are there—they are a permament record of that night, but I cannot seem to glean much of any meaning from that list.


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Favourite Historical Novels

F047-004
When one of my students is “stuck” for something to write, I have them do a “top ten” list—they pick the topic. The rules are, you select the ten items on your list, with a reason why it’s loved.

For example, one of my students wrote a “top ten favourite breakup songs” list that was fabulous—and included the poignant reasons why each of the songs had, in some way, been part of her own breakups.

Having said that, I wanted to take a crack at this with my ten favourite historical fiction novels. BUT, I refuse to rank them, because at the time, each of them were important to me.

So in no particular order:


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Late Night with Rilke and Ensler

I shouldn't be writing tonight. My neck hurts. My neck or arms or back almost always hurt, the result of a computer over-use injury that first popped up in 1996. It doesn't help to write long-hand. The nerves and wiring in me is fucked up, and when I get like this, I'm supposed to rest. Sometimes, I do that. I stop writing for a while. But for me, stopping writing is like stopping breathing. I begin to feel choked, overwhelmed, clogged up. I begin to drown in my own life, the pent-up sensations of taking the world in and then having nothing to "do" with that knowledge.

Outside, it is cold. It has sleeted much of the day. Sleet is ambivalent snow. Neither one nor the other, it just makes a mess. I wonder sometimes if my ambivalence creates the same affect in my own life. Neither here nor there, one nor the other. Happiness, when it comes, is not a long-term visitor, but when she arrives, I sometimes feel as if I overwhelm her, make too much of her being around. Perhaps if I gave her time to settle in, she wouldn't feel the need to leave so quickly. Sort of like the way I used to scare off lovers when I was younger. Sometimes, I just overwhelmed them with my need for their company, for their … love. And they would leave, hurriedly, sometimes cruelly.

Now, I spend a lot of time alone. My children split their time between their dad and me, and I no longer expect the men in my life to be permanent fixtures. I have learned, finally, to be alone, to like my own company, even on nights such as this when I am full of longing and wanderlust and not entirely sure of what it is that I want.


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Words to live by

Obama sketched out a different theory of social change than the one Clinton had implied earlier in the evening. Instead of relying on a president who fights for those who feel invisible, Obama, in the climactic passage of his speech, described how change bubbles from the bottom-up: “And because that somebody stood up, a few more stood up. And then a few thousand stood up. And then a few million stood up. And standing up, with courage and clear purpose, they somehow managed to change the world!”

For people raised on Jane Jacobs, who emphasized how a spontaneous dynamic order could emerge from thousands of individual decisions, this is a persuasive way of seeing the world. For young people who have grown up on Facebook, YouTube, open-source software and an array of decentralized networks, this is a compelling theory of how change happens.

Clinton had sounded like a traditional executive, as someone who gathers the experts, forges a policy, fights the opposition, bears the burdens of power, negotiates the deal and, in crisis, makes the decision at 3 o’clock in the morning.

But Obama sounded like a cross between a social activist and a flannel-shirted software C.E.O. — as a nonhierarchical, collaborative leader who can inspire autonomous individuals to cooperate for the sake of common concerns.

Clinton had sounded like Old Politics, but Obama created a vision of New Politics. And the past several months have revolved around the choice he framed there that night. Some people are enthralled by the New Politics, and we see their vapors every day. Others think it is a mirage and a delusion. There’s only one politics, and, tragically, it’s the old kind, filled with conflict and bad choices.


— David Brooks, A Defining Moment


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