We Are All Malkin Now

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WE ARE ALL MALKIN NOW

SO MICHELLE MALKIN'S HINGE TWEAKS A BIT MORE STARBOARD as the police state she began dreaming of so long ago promises itself to her. A world where each person in the crowd is a terrorist or a terrorist-watcher, a world where we are all thinking in terms of enemies, a world where we all work hand in hand with the police, a world where "sensitivity" and "multiculturalism" are weak, weirdass, wimpy words; a world where Islamic law looms overhead like a heat-seeking cloud of evil, a world where only Jews are persecuted and must be protected, a world where we are consumed with fear and hatred of Other and believe wholly and with all our shrunken hearts in the eternal war between Islam and the rest of the world.


Nezua Limon Xolagrafik-Jonez's picture

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I always have difficulty expressing my political judgments in a clear, emphatic, and strong way—I feel pretentious, as if I'm saying things that are not quite true. This is because I know I cannot reduce my thoughts about life to the music of a single voice and a single point of view—I am, after all, a novelist, the kind of novelist who makes it his business to identify with all of his characters, especially the bad ones. Living as I do in a world where, in a very short time, someone who has been a victim of tyranny and oppression can suddenly become one of the oppressors, I know also that holding strong beliefs about the nature of things and people is itself a difficult enterprise. I do also believe that most of us entertain these contradictory thoughts simultaneously, in a spirit of good will and with the best of intentions. The pleasure of writing novels comes from exploring this peculiarly modern condition whereby people are forever contradicting their own minds. It is because our modern minds are so slippery that freedom of expression becomes so important: we need it to understand ourselves, our shady, contradictory, inner thoughts, and the pride and shame that I mentioned earlier.


— Orhan Pamuk
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